“Where do we come from? Where do we go?:” The emotional mess of Nick and Jess.

fromlaughter:

In which I get super serious and angsty about a network sitcom plot, because, you know, it’s actually a romantic work of art masquerading as a network sitcom plot.

On the surface, Nick and Jess have that beautiful balance. She’s optimistic; he’s pessimistic. She brings so much light to his grumpy, turtle-faced existence, and he allows her a space to be mellow and grounded.

The show has been perhaps louder about the ways that Jess, in how she wholeheartedly and often joyfully embraces the mess of life, inspires Nick to grab ahold of his life, his writing (however ridiculous), and his love for her. But, and this is one of the reasons this show can be so achingly real, Jess has this tendency to pour her hopes in what she believes, desires, and loves—and when those expectations are dashed, she falls hard.

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love-jake-johnson:

GET OUT
blithers:

Jess is sprawled out on the lawn chair next to him.She flexes her bare feet idly in the spring night and smooths her palm down her bare arms, prickling gently with goose bumps from the spring chill.  The cut daisy from the beer glass is tucked behind her right ear.  She’s humming an aimless sort of tune, a loose cascade of notes up and down the scale, as she trolls her hand through the air at her side.  Normally he hates it when she scores her own life like the heroine in some movie with an uncomplicated morality and a too-perfect ending, but this is… nice.  It’s pretty and easy.  It feels uncomplicated.(That’s a lie, sure, but he’ll be damned if it isn’t the nicest sort of lie there is.)
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theme